Television: Programme sponsorship

 

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Paper
1.
The importance of creative match in television sponsorship
Rosalind Masterson, International Journal of Advertising, Vol. 24, No. 4, 2005, pp.505-526
It is one of the accepted wisdoms of sponsorship literature that there should be a good fit between sponsor and sponsored. This paper reports an exploratory study into the way in which programme audie ...

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Read: 159 times
Paper
2.
Television Advertising
Kevin Holowiski, Andy Jung, Mark Kaline, David Grueneberg, Pattie Glod and Kaki Hinton, The Advertiser, April 2005, pp.20-30
Comments on television (and other) advertising by six members of the ANA Television Committee. Topics covered: 1) has TV programming degenerated?; 2) advertising to children under eight; 3) views on T ...

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Read: 137 times
Paper
3.
The future of advertainment
Andy Taylor, Admap, February 2005, Issue 458, pp.31-33
Andy Taylor, creative director at Heresy, believes that there has never been a better time for a new idea to break into the UK marketing business, but he doubts whether infotainment and advertainment ...

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Read: 101 times
Classic paper - a key, timeless read
4.
That's brand entertainment!
Mike Hall and Neil Dawson, Admap, February 2005, Issue 458, pp.27-30
Neil Dawson, TBWA\London, and Mike Hall, Hall & Partners, look at another area of ‘brand experience’ – brand entertainment, which they define as entertainment that would not have existed without the b ...

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Read: 203 times
Paper
5.
Experience counts
Ross Urquhart and Martin Payne, Admap, February 2005, Issue 458, pp.23-26
Martin Payne, Through the Loop, and Ross Urquhart, RPM, argue that ‘brand experience’ is key to helping differentiate brands in today’s crowded market. Firstly they develop a definition for brand expe ...

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Read: 73 times
Paper
6.
10 principles for marketing in the age of engagement
Jim Carroll, Admap, February 2005, Issue 458, pp.20-22
Jim Carroll, UK chairman of BBH, argues that where once we judged ads on first whether they communicated the core message, and then whether they were involving/engaging – now we must reverse the prior ...

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Read: 123 times
Paper
7.
Advertain to attain?
Roderick White, Admap, February 2005, Issue 458, pp.17-19
In this introduction to Admap’s focus on advertainment, Roderick White looks at the role and value of advertising as (and in) entertainment, and how advertisers are looking beyond traditional media ad ...

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Read: 64 times
Paper
8.
Will Brandcasting succeed where advertising failed?
Ardi Kolah, Admap, October 2004, Issue 454, pp.132-133
Ardi Kolah, who invented the concept of Brandcasting and set up a company, Brands as Broadcasters, five years ago, argues that conventional advertising is out of date and that a new paradigm is needed ...

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Read: 39 times
Paper
9.
Idolised advertising. How one guy (and 11 other contestants) helped drive advertising effectiveness
Jim Alexander and Doug Peiffer, ESOMAR, Television Audience Conference, Geneva, June 2004
This study sets out to prove that viewers that become deeply involved in event television programs, such as Idol, respond more positively to advertising. The nature of the program offers multiple touc ...

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Read: 17 times
Classic paper - a key, timeless read
10.
Broadcast sponsorship: how does it work?
Mike Hall, Admap, April 2004, Issue 449, pp.19-22
Mike Hall, chairman and creative director of Hall & Partners, offers a synopsis of broadcast sponsorship and how it works. Explaining how programme sponsorship can work and how to measure success, the ...

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Read: 111 times
Paper
11.
The hidden dangers of the TV-sponsorship link
Xavier Quattrocchi-Oubradous, Admap, September 2003, Issue 442, pp.44-46
The author argues that the rapid escalation in sponsorship costs is mainly due to the strong but misguided link between TV rights and sponsorship rights. He shows that only TV visibility seems to corr ...

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Read: 44 times
Paper
12.
The Pay-Per-View Advantage
John Rubey, The Advertiser, Sep 2000
The author argues that sponsorship of pay-per-view events via TV and/or web-cast can reap rewards far greater than indicated by the final number tuning in. The real value is in the collateral promoti ...

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Read: 7 times
Paper
13.
Exporting Hollywood
Murray Schwartz, The Advertiser, Jul 2000
The author describes how the US entertainment industry develops the global appeal of its films, TV shows, and celebrities; and how marketers in other industries can benefit from imaginative tie-ins wi ...

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Read: 18 times
Paper
14.
Broadcast sponsorship works
Ivor Millman, Admap, April 2000
Even though Powergen (a first significant broadcast sponsor) is smaller the National Power, the former has higher awareness and is often perceived as larger. As markets become more competitive and di ...

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Read: 41 times
Paper
15.
The value of Olympic sponsorship
Heather Hart, Nicholas Schiavone and Horst Stipp, Admap, September 1998
New evidence presented of the benefits associated with TV sponsorship of the Olympic Games, based on a series of research studies by NBC Research since the 1998 Games. A model used to analyse the data ...

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Read: 89 times
Classic paper - a key, timeless read
16.
Brand affinity and television programme sponsorship
Mike Bloxham, International Journal of Advertising, Vol. 17, No. 1, 1998
Sponsorship of TV programmes offers suppliers of goods and services the potential to strengthen brand loyalty and brand positioning among viewers. Care needs to be taken in matching the emotional appe ...

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Read: 59 times
Paper
17.
Television sponsorship
Mike Constable, Admap, May 1996
This article discusses television programme sponsorship in the UK, considering the size of the market, the current regulatory framework and ways in which sponsors can maximise the benefits of their in ...

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Read: 31 times
Paper
18.
TV programme sponsorship in Italy
Roberto Roseano, Admap, March 1993
The paper describes the recent increases in television programme sponsorship in Italy. It is a huge new market, working through a variety of promotional additions within and adjoining programmes, whic ...

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Read: 10 times
Paper
19.
Picking the right show - using research in targeting and selecting programmes.
Michael Williams, Admap, July 1992
A short paper about what research is able to tell us about the factors which might guide the selection of suitable television programmes for sponsorship. Programme enjoyment, programme interest and th ...

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Read: 12 times
Paper
20.
How it works - sponsorship effects and advertising comparisons
Nick Walford, Admap, July 1992
This article compares sponsorship with advertising, and examines where they are similar and where they differ. Using a five-part communication model (sender, receive, medium, stimulus, response) to co ...

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Read: 54 times
Paper
21.
Breaking down the barriers
Nick Bryant, Admap, July 1992
Even with the current regulations, programme sponsorship is working, and the list of deals on ITV and C4 is now impressive, although there are still some odd gaps both in the types of sponsor coming f ...

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Read: 10 times
Paper
22.
TV Sponsorship: beyond on-screen credits - planning, synergy and exploitation
Matthew Wheeler, Admap, May 1991
The author demonstrates, with two case histories, the importance for TV programme sponsorship of setting clear objectives and being careful to select the right programmes, and the need for an adequate ...

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Read: 15 times
Paper
23.
Product placement. Brands in programmes?
John Barnard, Admap, May 1991
The article describes BOTC (Broadcast Opportunities To Communicate). Vast tracts of programming, out of reach of advertising, and often unsuited to formal sponsorship, can effectively showcase brands ...

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Read: 24 times
Paper
24.
'Advertising's brother'. Why TV sponsorship is an agency's business
David Byles and Nick Walford, Admap, May 1991
The article argues that TV sponsorship, unlike traditional event sponsorship, is closely akin to advertising and should ideally be done by the same people. It requires similar planning and strategic s ...

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Read: 15 times
Paper
25.
TV Sponsorship: Game with 3 players - who calls the shots?
Peter Townsend, Admap, April 1991
The three central players in TV sponsorship - the sponsor, the broadcaster and the producer - have distinct and probably conflicting interests. The trick is to know the rules of the game, the players' ...

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Read: 2 times
Paper
26.
TV sponsorship - Matrimonial property: the programme as a shared asset
Richard Holliday, Admap, April 1991
The author argues that, in TV sponsorship, the marriage of the `right' brand with the `right' programme will confer rich benefits on the brand, in ways not accessible through spot advertising: e.g. tr ...

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Read: 21 times
Paper
27.
TV Sponsorship: who owns what? Intellectual property rights and their exploitation
David Zeffman, Admap, November 1990
This paper outlines intellectual property rights in the context of TV sponsorship, and is a useful guide to commercial copyright and trademark rights generally. It covers national and international pr ...

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Read: 6 times
Paper
28.
TV Sponsorship: Moral angst and muddled aims
Peter Townsend and Toby Syfret, Admap, November 1990
A review of the Admap seminar on TV programme sponsorship (September 1990, papers in Admap October 1990). The authors note some of the obstacles to achieving a rational sponsorship industry, notably t ...

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Read: 7 times
Paper
29.
Television sponsorship: New money or re-cycled adspend?
Mark Wood, Admap, October 1990
The huge growth in events and arts sponsorship shows the way forward for broadcasting sponsorship. At present, broadcasting sponsorship is worth only £7 million a year in the UK, but in the near futur ...

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Read: 6 times
Paper
30.
Television sponsorship: Where we are coming from
Nicholas Staveley, Admap, October 1990
A brief and anecdotal history of commercial sponsorship in the UK, showing how it has covered a very varied family of activities, often crude, and usually poorly evaluated in terms of the benefit to t ...

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Read: 13 times


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